Archive for March, 2009

“Urban Survival Tips From a Hipster in a Loin Cloth”

(sound) magazine, a Seattle-based NW music magazine gave me a soap box. If you live in Seattle, pick up a copy! If not, read the digital version here:

http://openpub.realread.com/rrserver/browser?title=/MIP/SS4-09-1024

Special thanks to Paige Richmond, Mark Baumgarten & Kristen Truax! It is such an honor to be in a magazine with The Thermals (probably my favorite Portland band) and the creator of www.icanhascheezburger.com (my favorite website!).

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Ask Urban Scout: Rewilding Schools?

What up scout! A while ago I think I saw on your website that you were recommending some sort of all-encompassing, 9 month post-apocalyptic survival school based in the Portland area? If I recall, you were featured as an occasional instructor. I’m pretty sure I didn’t hallucinate this, but I can’t find any evidence of the website, the course, or the blog you made about it.I am desperately in need of something like that as I don’t feel really confident in learning about things like edible plants outside of such an immersive environment, and would really like a 9 month vacation from my real life, besides.Is this school still available? If not, is there any other program or collection of programs you might recommend that might eventually instill in me the confidence and skills to live indefinitely and sustainably in wilderness and semi-wilderness areas? Thanks!- Nachie

Hey Nachie,

You’re not hallucinating! I was going to be involved with a program that taught some of that stuff. Unfortunately the dude in charge stole the show and decided to go in a different direction than rewilding and I did not want to be a part of that. Which brings me to a very important topic on the subject of educational programs; rhetoric. Many of these programs have flashier and flashier marketing with enticing prose and inspiring photographs that are designed to excite you, the consumer, into taking their programs. In the end though, the classes are empty of culture and real content and are often taught by beginners, fresh out of a different year long program, with little to no real world experience or knowledge, who basically parrot what they were taught by other parrots in their first year. This creates a culture of a lot of know-it-all’s who actually have no fluency in skills other than crafting a few hand-made tools or in running “nature awareness” games (which is what they spend most of their time doing). I know this, because I was one of these parrots and still find myself parroting shit! I don’t recommend schools because none of them actually teach rewilding. Rewilding is about creating and maintaining culture, not a few primitive parlor tricks. These schools are either focused on primitive tools or permaculture or some non cohesive jumble of the two. If that’s your bag, then by all means. I’m sure you can find them using google. But tools won’t get you living sustainably in the wilds; culture does that.

The only educational program I ever recommend is Martin Prechtel’s “Bolad’s Kitchen.” It is actually based on re-creating a holistic indigenous culture, taught by someone who lived in, and played a role in, multiple indigenous cultures for most of his life. His school has almost nothing to do with hand-made tools and everything to do with culture.

But mostly I recommend starting a community in your own place: see my chapter “Schooling Vs. Rewilding

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Film Ideas

Years ago I created and facilitated an open-mic style video screening in Portland called Broadcast. It ran almost monthly for about 5 years. I stopped it almost 5 years ago now, and for the last couple of weeks I have felt the need to revive it. I love the art of filmmaking, and while I work in and enjoy the field of film production, it’s hardly the same thing to me. Maybe because I work mostly in advertisement, but feature films are not really what I think of as the art of filmmaking. Maybe to the director or writer, but to me the field of production is about working to produce something that someone else wants. The art of filmmaking to me, has always been about producing something that I want to give to other people.

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